Quick Storyboard and Chosen Soundtracks

I have produced a quick storyboard and thought about what foley sounds I want to incorporate into my production. Here I have photos of my storyboard and ideas whilst writing them up. There are also some quick sketches involved too.

Storyboard Ideas from CharlotteLouiseB

Reflective Comment:

I had some issues when it came to saving my photographs on my laptop due to my email and phone device. Therefore it took me slightly longer to upload because I needed to use my camera to photograph them again and add them onto the blog post. So I have had to add them into a Slideshare to show them to the audience. 

Final Props and Costume

 

The social media aspect of looking for props worked! I managed to get all props for no cost at all from a generous lady not far from Norwich. She has allowed me to borrow a headpiece, flapper dress, black T heels, beads, dress gloves and a scarf. This means that the femme fatales costume is finished apart from the make-up I would like to add. I am still searching for a hat for a my male character, the everyman, but if I cannot find a cheap option costume then I will get my actor to wear a suit and boots. Making sure that I use much smoke as effect. I have added photographs of the props below.

 

 

 

 

 

 

 

 

 

 

I am very happy with the props I have chosen and discovered however, I would like to think about smaller things I will be needing such as whiskey glasses, decanter and such. I have also got a cigarette holder and a shisha stick so I can add smoke into the production as this is a typical convention of the time period and flappers.



Mise-en-Scene Update

I have already purchased some small items that I can use for the filming such as: a sequinned/feather headband, a cigarette holder, a shish-a stick (for the smoke) and a glass jar that looks similar to a decanter. I ordered the majority from Amazon and the glass decanter is from Hobbycraft. I am still yet to find a size 12 flapper dress for my actress considering the ones that I have come across are extremely expensive for a small production. The next step is to ask on social media to see if any one will lend me the dress for the filming of the production, as it will not be worn afterwards. I will add photographs of the props I have so far during the week including the location I am going to use. 

I have created a Pinterest board for my media studies called: '1920's' this includes props and costume of what was around in the Roaring Twenties. This is the biggest inspiration I have along with The Great Gatsby film starring Leonardo DiCaprio. My Pinterest can be seen below:

http://pin.it/K15CFOW

Mise-en-Scene Planning

I believe that mise-en-scene is a very important part of a production as each prop, appearance and costume should have a reason or meaning to be in the frame. I would like the femme fatal to be seen as a male protagonist being broken and believing her innocence after a murder. Therefore, acting like a male protagonist, adding in the film noir typical conventions and making the production a success I think that i have a lot of props to research and purchase for this 2.5 minute production.

Props

I would include an old fashioned dresser into the frame with a mirror attached because that is where the femme fatal will be sat removing her foundations (make-up). Researching 1920's dressers now they look much more antique with more drawers, a  sharp wooden effect and a glossy finish. However, mine is more Victorian based and is completely white-washed. Although the film will be black and white and therefore the dresser will not seem so much newer compared to other props such as the flapper dress the femme fatal will be wearing. The mirror attached to the dressing table will be used for camera and composition for almost over the shoulder shots with the actress. 

I would like to get some whiskey and a whiskey glass to use for the real production to try and shoot through the glass and work on a kind of kaleidoscope image. I am hoping this effect would work or to shine light through it to create a disco ball-lighting effect around the room. As the location is my bedroom the walls are painted a very light pink-peach colour and therefore looks similar to that of dull walls. I cannot change the walls however, as the film will be black and white they will look almost grey in colour. My curtains are also a grey colour which will be okay to use as they let light in and may work well with the lighting side, I will experiment this on the run-through without all props. If this doesn't work I may have some older and thicker curtains that do not let as much light in.

I really want the femme fatal to be extremely broken and act as though she was very devious following the evening I will be filming. Therefore, I would like her make-up to be extremely heavy as many women wore in the 1920's. I would like to research the general outfit from the 1920's flapper and femme fatal to make sure she is not shown as the girl next door. At the ending many may feel that she is the girl next door because she will be admitting to all her mistakes including what happened that evening. I want her outfit to be very flirtatious as though she really has gotten somebody in trouble, deep trouble. 

I will need to purchase a fake weapon, which i would like to be an old shotgun as she will be looking over this during the start of the production as a reminder of what she has done. I would also like there to be some homemade polaroids scattered around the room, especially on the mirror where the femme fatal can pull them off in disgust at what she has done. These polaroids will include photographs of a desirable anti-hero that she had fallen in love with, and yet ruined everything with a single gun shot. On the dressing table there will also be an old style hair brush and something for her to take her foundations (make-up) off with. Becoming a different person.


Equipment 
I am going to need different equipment for this production such as my microphone, my Nikon D5200 and fish-eye lens to make her look secluded, tripod and possibly both of my flash's to add more lighting as I do not have the radiant lights at home. 

Props and Conventions of our Fairytale Neo-Noir

Autumn and I have decided that we wish to refuse the ideal general conventions of film noir and create our own neo-noir in the style of Little Red Riding Hood. We have discussed and agreed that we feel the photographs at least should be black and white with only red as the colour standing out. This is usually used to draw attention to the femme fatale, however it will draw more attention to Little Red, the innocent. We will edit the photographs on Adobe Photoshop together. The three photographs below are some quick examples of how we will use the red to draw attention:

The photographs are fully black and white only focusing on the red. We have decided to incorporate the convention of Sin City into our film. These images were taken in today's lesson when we were interested in playing around with colour. 

We have spoken about props for the photo shoot that is happening tonight and we have decided on using a long red skirt as a cape for Little Red. This will be in vibrant red in the photographs. We also believe that Little Red should have red nails and lips too. This may make the audience believe at first that she is the femme fatale. Leading it to mystery.

For the wolf we had rummaged through the drama studios and found a furry hat and a leather look, old waist coat. This waist coast looks dirty which is great for the wolf as he is supposed to be a wolf that is used to the great outdoors. We wanted the wolf to be walking around with a cigarette as well to show he is supposed to be the femme fatale as he will also be flirty towards Little Red. 

We are still unsure whether we are going to have the gran in the story and whether we are just going to leave her locked in the wardrobe screaming telling Little Red to run away and hide from the evil wolf. However, if we are to use the gran in the story we could use a soft, knitted shawl as it is a stereotypical grandma type of clothing. We could also add some big glasses too.

For the axe man we have decided he must have some kind of tool on him to show the film is modernised and because he is the girl next door saving the day. We think he should wear either tartan or blocks to make it seem like they are really in the forest. He should wear rough jeans and should have a dirty face and be tired out from all the work he has been doing all day.

The four photographs to the right are of some of the costumes we will be using to try and set the scene properly. This photograph was taken by Autumn.